Abi Roya
$210.00Size:30ml
Concentration:Extrait de Parfum
Top Notes: Grapefruit, Juniper Berry, White Camphor
Heart Notes: Pink Lotus, White Lotus, Blue Lotus, Mimosa, Gardenia, Osmanthus
Base Notes: Hay, Mate, Cedarwood, Guaiacwood
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Hunayn is a perfume house built on reverence for nature, heritage, and artistry. Every fragrance begins as a story, shaped by memory, curiosity, and intention, then unfolds on skin with measured grace. Materials are thoughtfully sourced from respected growers and distillers; compositions blend age old traditions with contemporary methods to create scents that are as contemplative as they are captivating.
Founded in February 2024, Hunayn exists to restore the bond between perfumery and meaning. We do not chase trends; we pursue wonder. Each bottle is crafted to honor the raw beauty of its ingredients and the quiet power of subtlety, an invitation to pause, to notice, to remember. Hunayn perfumes are journeys across time and culture, designed for wearers who value craft over noise and depth over novelty.
Choose a scent, make a ritual of it, and let the story become yours.
Showing 1–16 of 18 results
Size:30ml
Concentration:Extrait de Parfum
Top Notes: Grapefruit, Juniper Berry, White Camphor
Heart Notes: Pink Lotus, White Lotus, Blue Lotus, Mimosa, Gardenia, Osmanthus
Base Notes: Hay, Mate, Cedarwood, Guaiacwood
Size:30ml
Concentration:Extrait de Parfum
Top Notes: Cardamom, Galbanum
Heart Notes: Jasmine, Tuberose, Blue Chamomile, Mimosa, Ylang Ylang, Violet Leaf
Base Notes: Sandalwood, Amber, Vanilla, Eaglewood, Patchouli, Vetiver
Size:3g
Yemeni Bakhoor Chips, Cold pressed bergamot, Cold pressed Grapefruit, Vetiver, Mysore Sandalwood, White Ambergris, Sicilian & Indian Grapefruit, Pandan, Jasmine, Shin Kyara, Red Hojari & Frankincense accord, Coconut accord.
Notes
Sumatran Tigerwood
SQ Maroke Oud
Red Hojari
Yellow Hojari
Red incense accord
Choya Raal
Cocoa CO₂ extract
Size:30ml
Concentration:Extrait
Notes:Dam al-akhawain from Socotra tincture , Red and yellow Hojari frankincense. Olibanum. Opoponax. Mastic. Styrax. Tolu balsam. Orris , Green Kinam oud. Saffron. Jasmine chameli. Vanilla , Black ambergris. Gold ambergris. Civet. Castoreum. Muskrat , Green pine. Blue hemlock. Eucalyptus. Oakmoss.
Dam al-akhawain (دم الأخوين). The blood of the two brothers. The name the resin has carried in Arabic for over a thousand years. Consanguine is the Latin for what the name says. Of the same blood.
The Arabic tradition tells of two brothers of Socotra , Darsa and Samha , who killed each other on the land. The first tree grew where the blood fell. When its trunk is cut , it bleeds red. Dracaena cinnabari grows only on Socotra. The two smaller islands nearest to it are called al-Akhawain , the brothers , after the two who died. The land and the material carry the same name.
The composition holds the tree whole. The milky texture of the fresh resin. The red it dries to. The smoke of its burning. The florals of the land around it. The mythology the resin carries.
The perfume carries what the name carries.
Cuir de Russie is a refined leather fragrance built around birch tar, oud, iris, and smoke. Smooth and rounded with a deep, elegant presence, it draws from the classic leather tradition but adds warmth, nuance, and natural depth through rare ingredients and careful balance.
Ingredients: Thai Khon Ken oud macerated with castoreum sacs, Vintage orris root powder, Vintage Italian iris, Vintage Egyptian violet, Rosa Galicia, Frangipani, Jasmine, Styrax, Cade, Russian birch tar, Yugoslavian oakmoss, Civet absolute, Smoke accord, Honey, Vanilla, Vintage Cuir de Russie accord.
Size:30ml
Concentration:Extrait de Parfum
Notes: Sandalwood, Himalayan Cedarwood, Nepali Musk, Himalayan Musk, White Ambergris, Black Ambergris, Hay, Beeswax, Honey, White Camphor, Costus Root, Jasmine, Tuberose, Taifi Rose, Pine, Birch Tar, Malaysian Oud.
Top Notes: Cinnamon, Cade, Birch, Clove, Saffron, Rum, Black Pepper
Heart Notes: Tonka, Shamama, White Oud, Red Ginger, Jasmine, Saffron, Myrrh, Vanilla, Red Hojari
Base Notes: Chinese Vetiver, Oud Accord, Sumatran Oud, Hindi Oud, Patchouli, Sandalwood, Nagamortha, Frankincense
Size:30ml
concentration:Extrait
Ingredients:
Cultivated black kinam , cultivated green kinam , wild Sumatran oud , wild sinensis oud , blue lotus , white lotus , pink lotus , aged tobacco (five varieties) , ambergris , damask rose , civet absolute , Chinese jasmine , saffron , cinnamon , bergamot , grapefruit.
Ijtimāʿ begins with two materials held in opposition. Three lotuses: blue , white , pink , each carrying a different water. Five tobaccos from different soils and different decades. Lotus rises. Tobacco grounds. Water and smoke. Cold and warm. These are materials from entirely different worlds; different climates , different geographies , different places in ritual and memory. Even within the same tradition they are never asked to sit beside each other. The perfume does not try to dissolve the difference. It holds it.
Around this centre , the rest of the composition forms the architecture of balance. Cultivated black and green kinam. Oud from Sumatra and from the wild sinensis species. Ambergris. Silk. Saffron. Civet. Rose. Each material a pillar , positioned to hold the weight of the opposing forces at the heart of the composition. Mizaan: the scale , the balance , the principle by which contrast itself is found.
What Ijtimāʿ does is what contrast does. Opposing forces held in proximity , structured by careful architecture , released together as something neither could have been alone. The ingredients enter the bottle as themselves. On the skin they disperse as remnants of what they were: influenced , changed , marked by their meeting with everything else in the vessel. They do not return to what they were before.
茶马, the tea-horse road. For a thousand years, compressed tea travelled by caravan from Yunnan and Sichuan across high passes into Tibet. The routes were not single paths but a living network, through forests, along rivers, over mountains where the air thinned and the light changed. The stone underfoot, worn by hooves and decades of passage, took on the smoothness of jade.
Jade of Chama is built from that altitude. Seven roses, among them Indian red and pink, open into black tea and green tea, clean and almost alpine in character. Osmanthus brings a quiet, apricot-edged warmth. Himalayan cedarwood holds the base: dry, resinous, mountain wood rather than perfumed sweetness. In the drydown the cedarwood pulls the composition rounded and grounded.
The effect is not floral in any conventional sense. It is tea served at elevation, calm, bright, slightly cool, with the roses dissolved into it rather than standing apart. A fragrance of stillness and passage.
Acacia, 7 Roses, Saffron, Rosewood, White Lotus, Rose Oud Co-distill, Rose Honey Co-distill, Cedar Wood, Green Tea, Black Tea, Osmanthus, Nanmu Wood, Bai Zhi, Chuan Xiong, Hainan Oud, Tangerine Peels, Honeysuckle, Chamomile, Helichrysum, Red Rose, Pink Rose, Taifi Rose, Bulgarian Rose, Omani Rose, French Rose
Extrait de Parfum. 25% concentration. 30ml.
1991 Sultani Deer Musk, 2001 Sultani Mysore Sandal, 1970s Sultan Gardenia, 1970s Sultani Rose Saffron Co-Distillation, Burflower, Kewra (Pandan), Kashmiri Saffron Tincture, 1990 Dutchman’s Pipe Cactus, 1960 Rose, Jasmine, Neroli Co-Distillation, 1960 Violet, 1960 Gardenia, Jasmine Basil Co-Distillation, White Kinam, Green Kinam, Yellow Kinam and Wild Kinam Tincture
Florals: Night Queen Flower, Karo Karounde, Vintage Jasmine Abs, Buchu, Apple, Jasmin Auriculatum, Jasmine Abs, Jasmine Grandiflorum, Jasmine & Sandal Co-Distill, Jasmine Tea, Vintage Gardenia, Vintage Red Jasmine, Hydro Jasmine, Red Champaca, Jasmine officianal, Jasmine Sambac, Hyacinth, White Petal Jasmine, Henna.
Ouds: Red Cambodi, Koh Kong, Wild Trat, Firewood Trat, Sumatran, Hindi Khusoosi, Hindi Seufi, Manipuri, Nagaland, Vintage Vietnamese, Kalimantani, Purple Malaysian, Jayapura, Green Kinam (CK).
Additional Notes: Black Ambergris, Siberian Musk.
Size:30ml
Concentration:Extrait
Ingredients: Oud luban co-distillate , red frankincense , yellow frankincense , rosa rugosa , Chinese jasmine , sandalwood , Mysore sandalwood , pink lotus , bergamot , myrtle , hyssop , patchouli , choya raal , luban , mate , hay , Atlas cedar , tonka bean , civet absolute , saffron , oak moss , black musk , white camphor , white ambergris , lavandin , cinnamon , coriander , cardamom.
Additional Information: Concentration: 30% , Calligraphy: Khatera Naderi & Composition: Hunayn. Engraving: Black , Silver & Gold , applied by hand on front and back of the bottle.
Nisqu is an Akkadian word. It designated aromatics of the highest grade in the administrative records of ancient Mesopotamia: not the rarest , but the most suited to their purpose. Frankincense graded nisq had earned the designation through quality alone.
The composition holds luban and oud as a single co-distilled material , the resin and the wood made inseparable before anything else is added. Red frankincense and yellow frankincense , each from a distinct tree and a distinct growing region , are blended alongside it. Cinnamon , cardamom , coriander , and saffron carry the historical depth. Civet and white ambergris hold the composition against skin. Choya raal , oakmoss , and black musk anchor the base.
The smoke has been removed. What remains is what the smoke was carrying.
Purple Majestic is built to feel like the colour itself. Not an interpretation, not a metaphor, but purple made sensible through scent. The perfume moves through immortelle’s golden shadow, the cool powder of iris, the soft haze of violet, and the deep velvet of orris butter. At its centre rests a rare purple oud, aged and quiet, holding the entire composition together with a dense, vintage warmth.
The structure isn’t made to show individual notes. Instead, each ingredient completes the others, revealing new dimensions as they settle. The result is a rich and saturated atmosphere, calm, dark, floral, and slightly sweet, shaped to feel like standing inside a deep shade of purple. A scent with weight, stillness, and depth, made to be worn slowly.
Rosa returns to its beginning.
After a year of exploration, interpretation, and depth, the Rosa series comes full circle. This sixth and final iteration revisits the original white rose, not as repetition, but as refinement.
Rosa I.II is the culmination of a journey through the many faces of rose: white, red, black, and their nuanced variations. Each chapter explored a different emotional and material expression of the flower. This final composition returns to stillness. To purity. To essence.
This is rose in repose.
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